Trailer Thursday: Avengers Assemble

Yes, this is the UK version of the movie coming out, but this trailer is amazing and I love how we're finally getting to see the Hulk and Hawkeye do something. I'm really looking forward to this film:




Incidentally, if you live near an AMC theater (which I unfortunately do not) you can go ahead and buy your tickets now for a Marvel Movie Marathon which includes all six Marvel films (3 of them in 3D: Thor, Captain America, and the Avengers) for $40...and you even get a set of custom 3D glasses you can keep!

Scary Heroes

Hey, it's time to get some free candy today from the neighbors! But before you do, let's remember some of the scarier "heroes" who tried to save the day from time to time even though they didn't look like Captain America.

Swamp Thing

I never really understood the appeal of this guy, but I used to watch him on Nicolodean's late 70's/early 80's comic book show where they read comic books with sound effects. Definitely low-key for a kid's show, but I loved it (I still hear the theme song of "Flight of the Valkyries" every time I go through the back issues of an old comic store).

From what I understand the comic took a freaky turn after he became a part of the Vertigo line. He's recently returned to the DC universe as the "big reveal" of the Brightest Day storyline.

The Spectre

Ok, so he's not that terrifying to look at, but you'd better believe that when he showed up to hurt you, it was not going to end well.

Jim Aparo took this otherwordly character and made him one serious avatar of justice, having him deal with criminals by cutting them in half with giant scissors, turning them into a wooden statue before cutting it to pieces with a buzzsaw, and having their flesh melt off. Yep, he was someone even Batman thought was too tough on bad guys.

Aparo's entire run can be found in a trade paperback collection that you really want to read. Even though the Spectre today has been turned into a caricature of himself, the Aparo version will make you respect him again.

Deadman

Again, not scary to look at, but how tough must it be to be a superhero no one else can ever see or talk to?

He can possess anyone and has often gotten involved in many JLA adventures and teamed with Batman quite often in the original Brave and the Bold series of team-ups. The thing that really makes him fresh and tragic is the fact that he was the bearer of the White Lantern ring for a while, got to come back to life and be normal again, and then died saving Dove only to become Deadman again rather than have peace in the afterlife. I have to give DC credit on this one: they really did it right for this character in recent books.

Neal Adams' work on this character is unparalleled. While there have been a number of folks who've drawn him, I think Adams still stands as the best.

The Phantom Stranger

While Deadman was the hero no one could see or hear, the Phantom Stranger is the hero no one understands. DC has never (to my knowledge) given this hero a true origin--and I'm absolutely fine with that! Wolverine shall forever stand as a lesson for those who wish to take the mystery man and give him a backstory thinking it will make him interesting. Wrong move, Marvel!

What powers does the Phantom Stranger have? Mysterious magic stuff. Nothing definite, but he can pretty much defend himself against most magic attacks. He appears when needed and disappears immediately afterward. He's never been a regular member of any team, and has pretty much kept the same costume since his first appearance. Like the character, the look is timeless and always a fun read.

Werewolf By Night

Jack Russell (yep, just like the terrier) became Marvel's Werewolf by Night every time the full moon came out (which in the Marvel Universe was whenever he needed to become the monster rather than once a month). And he somehow always wore green pants. I guess he got his clothes from the same color-changing tailor the Hulk got his always-purple pants from.

I don't know how Marvel managed to keep this character going through his own series for so long, but they did. The gimmick seems simple enough--man becomes wolf, doesn't want to be wolf, tries to find cure while not hurting those he loves, etc--yet he found his way working through a number of Marvel titles, helping Spider-Man and even fighting Dracula himself. The title even introduced the world to Moon Knight, who was originally a werewolf-fighting hero.

Ghost Rider

I couldn't finish the list without including this guy, the original Spirit of Vengeance. He suffered a rather less-than-stellar movie adaptation (and a sequel that will at last give every comic fan something they've always wanted to see: Ghost Rider using the bathroom), but the title started out interesting enough.

Ghost Rider was a member of the Champions for the entirety of their existence, and he was a part of the new Fantastic Four along with Wolverine, Hulk, and Spider-Man for a very short bit.

It was very fortunate Johnny Blaze became Ghost Rider. Think of how much less you would respect the hero if his secret identity was Cecil Feather.

The Legion of Monsters

I'm just throwing this in to grab a few remaining ones I missed. Morbius, Man-Thing, Werewolf by Night (as opposed to Werewolf By Day, which isn't nearly as scary) and Ghost Rider teamed up to fight the baddies for an issue of Marvel Premiere.

Give Marvel credit on this one, it was a fun little group. I'm just glad they didn't throw Howard the Duck in there with them.

Now go grab some free candy!

Moments That Made the Bronze Age: Wolverine Begins

When we talk about shining moments of the Bronze Age of the 70's, there is one hero that we have to mention: Wolverine. His first sighting was an almost-unnoticed-at-the-time appearance in Hulk #181, a battle in which he fought the Wendigo and the Hulk, and lost when the Hulk sucker punched him.

He disappeared for a while until he was picked up in Giant-Sized X-Men #1. Ironically enough, the hero wasn't supposed to be a mutant, and his claws were actually just supposed to be attached to the gloves. That meant technically anyone could have become Wolverine later on. The guys are Marvel decided he'd make a good fit, turned him into a mutant, and threw him into the team.

Wolverine was a hit with the rest of the group, but unfortunately Thunderbird and he were both deemed too close to the same character and one had to go. Instead of just retiring the guy, they decided to kill Thunderbird in a toss-up decision that turned out to be the best one they could have made. Imagine how differently the next few years would have turned out if Wolverine had been the one they chose to kill off!

When John Byrne picked up the X-Men, he immediately focused on Wolverine as his favorite because they were both Canadian (true story) and he wanted a cool Canadian superhero. With Byrne's artwork, Wolverine became a superstar and helped propel the X-Men to one of the most popular comic titles of the 80's.

I can still vividly remember the first time I read X-Men #132 and saw that final panel where a soaked and beaten Wolverine finished the issue off with "Now it's my turn!" I couldn't wait for the next month!

When X-Men #133 came out, it did not disappoint. Wolverine was finally given the spotlight with his first solo cover! Inside he was basically the last free X-Man (the rest were captives of the Hellfire Club) and he tore through the faceless bad guys with some amazing action! There was no graphic scene of blood or guts like there would be today, but the story itself was so incredibly effective in every way. After the Dark Phoenix Saga ended, Wolverine got a new costume of brown and orange, and slowly the book focused more on him with the appearance of Alpha Flight, and even the return of the Wendigo.

If you missed out on this golden age of the X-Men, I highly encourage you to grab a copy of the "Essential X-Men" from that time. Even in black and white, Byrne's artwork and Chris Claremont's stories show you why everyone flocked to the title.

Today Wolverine is in just about every Marvel comic you pick up, either as a guest star, team member, or focal point, but back in the 70's and 80's all we had were these once-a-month appearances (imagine that: just one X-Men title a month!) to feed our Wolverine frenzy.

Then in 1982, Frank Miller gave us what we were hoping for: Wolverine's own title. Granted, it was just a four-issue miniseries, but it was wonderful. Having grown used to seeing Wolverine's sleek look from John Byrne's pencils, it took a bit to adjust to Miller's gritty style and his odd way of drawing Wolverine's claws like they were coming out of his fingers rather than the back of his hand. Still, it was Wolverine and he was solo, so I was a happy camper.

Eventually Wolverine moved to a regular solo title with Madripoor as the setting, and the rest is history. Unfortunately, the Marvel execs soon realized that every comic with Wolverine as a guest star sold a bunch, so they started dropping him into every comic out there. His first showdown with Captain America was cool...his "battle" with Power Pack was not. It was a hit-and-miss affair that eventually diluted the character to the point where it was actually more fun trying to find a title that went six months without an appearance by him.

Today he's in Wolverine, X-Force, X-Men, and a few other titles on a regular basis. They've stripped him of his adamantium claws, given them back, killed him off, brought him back, gave him a son and a female clone daughter, and the list goes on and on. But for me, I'll always remember him as the cool yellow-and-blue guy in the X-Men who really gave us something to look forward to each month. I guess in hindsight giving him his own title was the beginning of the end. Maybe he was just one of those awesome secondary characters who was best in smaller doses.

Moments That Made the Bronze (and Modern) Age: The Death of Elektra

There are so many moments to look at in comic history that grabs me, but this particular comic death didn't affect me so much as a kid when I first read it, but the comics that followed actually got me hooked on Daredevil for a short period of time.

I grabbed this one off a spinner rack in a strip mall in Birmingham while my mom was shopping (yeah, I read a lot while mom shopped), read the entire issue, but for some odd reason didn't buy it. I loved the story, but neglected to spend my precious allowance on this issue. Given the current value of it now, it was a big mistake on my part.

What made this issue so interesting to me? It as that amazing showdown between Elektra, a character Marvel had introduced just a few short issues before with the sole intention of killing her off as a major pivot point in the DD series, and Bullseye, a villain who could turn anything he got his hands on into a weapon.

Frank Miller and Klaus Janson were magic in this time of the series. Their gritty art styles worked perfectly for this down-and-dirty fight to the death between two warriors.

The biggest kick-in-the-face moment of the fight for me? That had to be Bullseye using Elektra's own sai to kill her with.

You might not realize how important that scene was until you consider the catastrophic failure that was Ben Affleck's Daredevil movie.  The only potentially saving grace of that film was how it tried to give us this one Elektra storyline including that final death scene using actual dialogue from the comic, and it managed to stay fairly close to those few pages. Say what you will about that movie, they did get that one scene right.

Of course, Daredevil got his revenge later in the story. If this story had been published today it would have taken him the better part of six issues to find Bullseye, confront him, and deal out his brand of justice. In the 80's though, we were blessed with a complete story in that one double-sized issue.

Daredevil, usually a straight-arrow in the Marvel universe, beat Bullseye down and eventually let him drop to a bone-crunching finale. It looked like this cool villain was done for, but we know of course that he came back and became a regular in comic titles everywhere.

But reading that comic at the time, I was stunned by how Daredevil just let him drop. Actually, I was stunned by how graphic Elektra's death was drawn. Seeing it today in light of the gore-filled comics you find everywhere it looks tame, but back then it was a powerful moment simply because you didn't see that sort of stuff unless it was one of Marvel's magazine titles.

As I mentioned, this storyline led to DD becoming involved with ninjas galore and a guy named Stick, and even to eventually bringing Elektra back to life. That was good stuff and I followed this comic for a while after this issue. When Miller left, I did too. It was hard to imagine this gritty character being drawn by anyone else for me.

That Marvel moment grabbed me and didn't let go. I just regret not purchasing that issue when I had the chance. Even though I didn't buy it, I consider it a pivotal issue in Marvel history.

Trailer Thursday: Luke Cage

Now here's a Marvel movie you probably won't see made any time soon, but you have to admit the guy does a good job of bringing out the essence of the character. Just kidding! Just for fun...enjoy...

Moments That Made the Bronze Age: Days of Future Past

In many of these Bronze Age moments, the story is so powerful that I vividly remember where I was when I read it for the first time as a kid. In the case of this week's post, I was actually in a grocery store called Food World, patiently waiting for my mom to get her groceries while I poured over the spinner rack (remember those?).

The two-issue storyline "Days of Future Past" blew me away as a kid. I realize now that this story probably seems very anti-climatic because of how many times it's been referenced and revisited in various comic book stories. Looking at it for the first time with fresh eyes, however, it's a fairly impressive story for its day.

Basically, we get a glimpse of the future, as in 2013. Mutants and heroes are hated, hunted, and killed. A small band of heroes, including Wolverine, Colossus, Storm, Rachel Summers (our first introduction to her), Kitty Pryde, and Franklin Richards, try to stop this horrible future by sending Kitty's consciousness into her past self on Halloween 1980 to stop the assassination of Senator Kelly. His death paves the way for this horrible, mutant-hating world.

We get an introduction to the new Brotherhood of Evil Mutants (much later Freedom Force) led by Mystique. An epic battle ensues with the X-Men in our present, while in the future the X-Men remaining are killed one by one by Sentinels.

What made this story so special? I guess the thing that got me in the first issue was the dreary future that I was seeing portrayed. My heroes, the X-Men, were not heroes anymore. They were hated by the world. One image in that comic shows a line of headstones with various hero names on it. It was sobering stuff.

I could barely wait for the next month, and I was planted in my same spot reading the follow-up issue, which boldly proclaimed "This issue: Everybody Dies!". And there, on the cover, Wolverine is toasted by a Sentinel!

Again, I can appreciate how reading this today seems boring because, let's be honest, Wolverine has been toasted now probably a dozen times over the years. It seems like everyone who wants to kill him off in some variant or future-based storyline goes for the faithful "burn him alive" routine. However, this was the first time for me.

One by one, my beloved X-Men are killed off in the pages of this comic, even as their present selves fight to stop Kelly's assassination from taking place so the world will not turn out so badly.

In this end, this DOFP world was revisited a number of times in many different ways. The Fantastic Four were a major part in "Days of Future Present", where Franklin Richards came back from that timeline (before he was killed) and tried to recreate things. The four-part storyline was far inferior to the original though.

This storyline was even touched on briefly in the X-Men animated cartoon series of the 1990's, though their truncated version was different in many ways. That just shows how powerfully this particular two-issue venture resonates with the comic world.

Trailer Thursday: Ghost Rider 2

With all the big hero films for this year done and over, it's time to start focusing on the ones coming out next year, I guess. Here's the first for the year, due out in February, which basically means the studio has so little confidence in it that they're hoping stacking it against Valentine's Day romantic comedies will give it a shot to make some money. Anyway...

Heroes Who Need To Lose Their Powers

Some heroes lose their powers (temporarily) and manage to move on, while others seem never to be touched. Here are a few heroes I believe could truly make some great stories as they dealt with their sudden loss of power. All those comic book companies who love crossovers, you could title this one "Powerless"!

Aquaman

There are those who would probably argue he's pretty much useless as-is, but think about this one. What if this man who had traversed two-thirds of the world that's underwater suddenly found himself stuck on the other third? What incredible underwater beauty and mystery has he seen, and now would never find again?

For this "fish out of water" story (sorry, couldn't resist), he would become this adventurer similar to Indiana Jones, trying to explore this world he had always shunned while always looking for a way to return to the oceans he loves.

Let him lose his power by magical means or something. I think there's a wealth of possibilities here for the character.

Luke Cage

After decades of being the toughest of the tough, what would happen if he suddenly found himself normal again? It's easy to be courageous when you know your skin is impervious to bullets and death rays. Now imagine how hard it would be for him to suddenly realize he has limitations and can no longer "tough" his way out of everything?

I can see this easily being a powerful storyline if done right. In the beginning he might feel useless or even a little scared because he feels useless as a normal guy. Then he eventually starts to realize true courage isn't in being able to stand up to a dozen blazing bullets without harm, but it's being able to stand up to the man behind the gun and saying you will not cower even if he could kill you.

How could he lose his powers? The treatment that gave him his iron hard skin begins to wear off. Imagine that first panel when he is shot and suddenly realizes he has a bullet wound. Very powerful!

Martian Manhunter

Turning him powerless would have to involve either making him human or forcing him to stay alien without any abilities.

I've honestly never understood DC's love for this character, but they continue to make him a linchpin of the DC universe. With the guy constantly having to come to terms with who he is and wants to be, let's take away his powers. He can be the "thinker" of the JLA (even though I know he's not involved with them after the DC reboot).

Robbed of his mental abilities and super strength, would he feel valuable to a team anymore? It would give the character the chance to move beyond his past and concentrate on his future. Let him find a place among his team mates as a leader. And hey, it's not like the character isn't kind of limited enough as is. Fire as a weakness? Bummer.

Deadpool

The thing that makes Deadpool such a funny comic is the fact that he's completely reckless in everything he does because he knows he'll heal up no matter what happens. Get shot in the head? It's cool. Lose an arm? Be patient and it'll be back. But what would he be like if he suddenly knew he wouldn't heal back from a wound?

I think he'd be pretty much a coward for a while. A funny coward, but a coward nonetheless. Then his need for mayhem and money would overwhelm his cowardice and he'd be forced to go on a mission of some sort.

At that point he couldn't be crazy reckless anymore. He'd be skittish and have to be forced into a confrontation. When the bullets started flying or the ninjas started coming, he'd have to change tactics to win. It would allow us to explore a new side to the character while still giving him room to make wisecracks and be his hilarious self.

New Ultimate Spider-Man? Spidey says it best...

Yep, all of us are owed an apology, Spidey!

The new Ultimate Spider-Man was unveiled today by Marvel, as he is revealed in Fallout #4 (hey, a Marvel Crossover event...that's got to be good, right?). Big surprise to everyone:

Wow, I never saw that coming. Unless you count the dozens of times it's already been done with other heroes.

I think the two pictures Marvel put on their websites are the most perfect choices they could have ever come up with purely for the captions of what they're saying.

I'm going to go way out on a limb here and say the new guy probably lives with his grandmother in a bad neighborhood and constantly gets harassed by drug dealers and bullies on the way to school while he takes his younger sister there. I have not read the comic, but given Marvel's past history and treatment of minority characters, that's pretty much how Marvel perceives their world. No teenager in the Marvel universe gets to come from a stable two-parent home. I could be wrong, but I doubt it.

Reboots are awesome, aren't they? I don't think Marvel could create an original minority character if their lives depended on it. The last one they created was Luke Cage back in the 70's. Since then, it's pretty much been sloppy seconds all around as they find costumes and powers from other established heroes. Need to boost sales? Don't bring in a new, exciting character! No...reboot! Iron Man, Nighthawk, Captain Marvel (later Photon), Giant Man, Ultimate Nick Fury...reboots all around. Originality is neither needed nor rewarded.


For heaven's sakes, Marvel, get some new original writers in there! You desperately need fresh blood in your talent pool!

At these comic book conventions you attend, talk to the readers and let them present ideas! I swear we can create new heroes who deserve a shot and could succeed rather than just starting every brainstorming session with: "Now imagine this: we reboot..."

Remember the originals that rocked: Black Panther, White Tiger, Luke Cage, The Prowler, Storm, Sunfire, and Shang Chi to name a few! These were characters that mattered and made us want to read their stories. Today, we get recycled garbage that excites the folks at Marvel, but never picks up enough readers to keep going past a dozen or so issues.

What do you think? What's the last truly original idea Marvel had for a storyline?

Has Marvel Killed the Crossover?

Years ago when a comic book company wanted to create a big event, they had something called a "crossover". Perhaps the JLA would meet the JSA, or the Avengers would fight the Defenders. Whatever it was, it was a big deal because these folks rarely met each other in their comics.

Enter the 80's, when DC decided to do the mother of all crossovers: "Crisis on Infinite Earths". It gave them a chance to reboot many titles, as well as clean up the mess they had made with all their extraneous Earths out there (Earth 1, Earth 2, Earth 3, Earth X, etc). Again, this was big stuff because it was a crossover that was--up to that point--never before seen. Heroes from every imagineable timeline and team were brought together--and killed! Seriously, that one crossover event was responsible for the death of The Flash, Supergirl, and the original Dove (only one of which is still dead).

Marvel brought us Contest of Champions, Secret Wars, Atlantis Attacks, and Acts of Vengeance, while DC came back with Zero Hour (another reboot), Bloodlines, and Invasion among other things, most of which were less-than-stellar events. Then stuff seemed to die down a bit. There were still events, but they weren't as big.

Around the mid-2000's, someone in Marvel got the idea of trying it again but going big. The result was Civil War and it was probably Marvel's strongest attempt to date. Man, it was a great storyline! We saw heroes become villains and the entire Marvel Universe was shook by big moments like the return of the Punisher, the death of Giant Man, and the public unmasking of Spider-Man.

There are many who will say this particular crossover was stupid or the storyline was convoluted, but I enjoyed reading it. I thought Marvel had hit it just about perfectly, though I was never that thrilled with the ending. I thought Cap should have beat Iron Man down and walked away the winner.

Anyway, after the success of Civil War, Marvel somehow fell into this ugly trend. It was as if they lost all confidence in the solo appeal of their titles and decided instead to flow from one crossover event to another. After Civil War we fell almost immediately into Secret Invasion. Unfortunately, Secret Invasion crossed over into the Avengers titles for no reason, filling all of the issues during that period with filler stories that never progressed the main storyline. And the main title seemed to falter in the middle before ending big with the death of the Wasp and the rise of Norman Osborn. And hey, let's not forget World War Hulk that appeared soon after!

Secret Invasion gave way to Dark Reign, another lackluster attempt that briefly gave us titles like Dark Avengers. Dark Reign led to Siege, which gave Marvel an excuse to finally kill off The Sentry for no particular reason other than the fact that they were completely clueless as to the potential of the character.

The heroes barely had time to recover from Siege before they were suddenly thrown into this latest event, Fear Itself. Have I forgotten any? Probably. I didn't even mention Annihilation, The Thanos Imperative, or War of Kings, all of which happen to the "galaxy" heroes.

My point: does anyone even bother to read the Marvel crossovers anymore? Honestly, when was the last time Marvel ever ran two consecutive months without some form of crossover event?

It seems hard to imagine a time when you wouldn't like a thick juicy steak...unless that's all you had for every single meal. After a few weeks, you might even consider a bowl of oatmeal a welcome change for dinner. Marvel has fed us a constant diet of crossovers now, and with Fear Itself just starting to wind down Marvel is already hard at work on the next "big event".

So here's my question to you: do crossovers mean anything to you any more? Do you get excited seeing what Marvel has planned next, or have they gone to the well once too often and need to give it all a rest for a couple of years before trying again and making us believe it really is "something big"?

Captain America: History of the Shield

Found this and wanted to share it. Pretty comprehensive history of Captain America.

Heroes and Comics I Miss: Part 2

A few weeks ago I gave you a few little comics that made my childhood in the 80's a lot of fun. This week I wanted to give you a few more titles that brought a smile to my face and were scooped up as soon as I saw them. These will never see an "Essential" collection, but should.

Shogun Warriors

Probably the biggest toy ever to have a comic book based on it, these guys were 3 feet tall and were an absolute treasure during my childhood. Their fists would fly off, they had little spaceships in their helmets, and were on roller skates! Well, rollers anyway.

The comic book was a lot of fun as well. It only lasted 20 issues, but it was a blast and saw guest appearances by the Fantastic Four. These guys even faced Godzilla at one point in his own comic!

Basically, it was pretty much like any Japanese manga you'd see today except this was Marvel comics drawn by Herb Trimpe so it was Americanized like crazy. These were giant robots controlled by normal guys and they would fight giant monsters, meteors, and even each other if something happened.

What makes this comic stand out above others like it is the fact that it was pretty much the first of its kind for me. Up until that point giant robots had been used by villains to attack folks like Superman and such. Here were some cool robots based on even cooler toys that were run by good guys with no super powers other than the ability to drive a giant robot!

While the toy line had several to choose from, the comic concentrated mostly on three or four. My personal favorite was Raydeen, both as a toy and as the comic. Unfortunately, this was part of a licensing deal (which Marvel really ran with in the early 80's) and therefore these guys are off the table permanently. Marvel can't touch them and the toy line is pretty much dead, though Mazinga (or Mazinger, in the Japanese version) still shows up from time to time in toy stores as a smaller version.

Crazy Magazine

Is it fair to heap a magazine into a comic book list? Yes, if we're talking about Crazy magazine. This was Marvel's answer to Mad Magazine, and as such it had some of the greatest guest shots imaginable. Marvel's earlier foray into funny books was Not Brand Ecch!, and they even packaged a reprint of that first issue in one of the Crazy issues, retitling it Crazy as well.

So what made it so good? This was a parody book that was for comic geeks as well. At one point they introduced "Teen Hulk", a character who changed when he was afraid. Nothing ever went right for him though, and he definitely wasn't like the real Hulk because he was funny. A character named "Obnoxio the Clown" was introduced later in the run, and he actually made it into the real Marvel universe to fight the X-Men! Marvel artists like John Byrne drew entire funny comic stories in it! Sometimes they would even take a Marvel story from the past and reprint it with new dialogue to make it funny. This was stuff that catered to comic fans!

Popular TV shows and movies were made fun of all the time, but these were jokes I actually got as a child. Mad sometimes got a little too deep with some of their parodies for me (or too wordy), but Crazy always kept it pure and simple.

This little book ran from 1973 to 1983, and I still vividly remember when I received notice in the mail that the title was being canceled. It was not a fun moment in my childhood.

Of course, popular culture today could not support a book like this anymore (seen Mad lately? Sheesh!). It would inevitably get too political or dirty and would therefore lose the charm this book had.

Still, this was a window into the 70's and early 80's that was consistently funny. I miss it and still try to add back issues to my collection whenever I can find one in really good condition.

Team America

Another one of those "toys tie-in" comic books, Team America was about three bikers (later five) who basically rode around in cool red-white-and-blue-themed costumes and fought criminals between stunt shows.

Along the way, they were assisted--many times without their knowledge--by the mysterious "Marauder", a black-clad biker who never spoke but could ride his crazy chopper like no one else. Due to the success of Snake Eyes in G.I. Joe, there can be little doubt who this character was designed after.

This group managed to get into the real Marvel Universe, just like the Micronauts and ROM had before it. Iron Man made an appearance, and what biker comic book could go without an appearance by Ghost Rider, fighting Marauder of course.

Who was Marauder? Well, that was the mystery. This guy showed the talents of all five members of the team, constantly giving you the impression it could be any of them. They did a great job of keeping him "off screen" when the heroes were around, and only letting him show up when no one was around so you never knew.

This series only lasted 12 short issues, with the identity of Marauder finally being explained to be a woman who was channeling the collective psychic influence of the team, thus allowing her to appear to have the abilities of all of them. It was a rip-off ending for me, but they made it all better as the final panels of the series unfolded. The team was flying away (all of them, including the woman) to go their separate ways, and then we saw this:

I was better after that. Marauder wasn't just a woman in padding! Maybe there was hope for a sequel! While the team appeared a few times in other books, they basically disappeared toward the end of the 80's and have never been seen since.

The guys were eventually exposed as mutants (hey, it was the 80's and all the cool kids were mutants) in a few other comic appearances (in New Mutants, Captain America, and the Thing) but that was never explored much because they disappeared soon after. The Ideal Toy license eventually expired so Marvel won't be reprinting this title anytime soon, just like the others on this list. Still, it was a fun read while it lasted.

I loved the toys this comic was based on. I had the Marauder toy, and managed to pick up Honcho (the guy in white) and R.U. Reddy (the guy in red) figures at garage sales. While the comic was action-packed, the figures were basically built to stay on their respective bikes and that was all. The legs were bent and wouldn't move, and the arms could only go up or down with no bend at elbows or wrists. Still, I was a happy child with the stunt bike going all over the driveway and ramps I made.

To me, Marauder was one very cool hero. He was the strong silent type, and I hate that he never managed to team up with Snake Eyes for at least one issue. Not a lot of conversation going on, but the narration would be crazy. The figures were two different sizes so playing with the 4 inch poseable Snake Eyes and the 10 inch "can't move much o'nothing" Marauder wasn't much of an option. Those adventures will forever remain a mystery.

What about you? Do you have any favorite canceled comics you miss?

Trailer Thursday: Captain America's latest

Here is the latest clip from Captain America. This is definitely the best we've seen of it so far. Looks like they're pulling out the stops for this one and I hope it does great. Superhero films this summer have performed a little poorly compared to years past, so let's get out and support this one.

Heroes I Miss: Part 1

Here's where I wax nostalgic. There are certain comic book series and heroes that I loved reading when I was a kid but you never see anymore. Some are gone for licensing reasons, while others just didn't sell well enough to warrant another series attempt. But these are the comics I scoop up happily when I see them in the back issue bin at the comic shop.

ROM

Ok, this one was created simply to get the toy of the same name some business, but who would have ever guessed the comic book would be so popular! This guy teamed up with everybody! During the 75 issue run of the series, we saw guests like the X-Men (pretty much a staple guest star to every comic of the 80's), Doctor Strange, Ant-Man, the Avengers, Alpha Flight, and even the Master of Kung Fu! Not bad for a cheap toy that couldn't bend its arms!

I owned the toy and thought it was cool for the time (it's pathetically laughable in today's age of action figures). The eyes lit up and the rocket pack made noise. As long as I had batteries, I was happy. Still, it was the comic book that made the guy memorable to me.

Over the years, ROM ended up becoming a great comic. He fought the Dire Wraiths, hunting them down and blasting folks away (the DWs could disguise themselves as normal human beings and only ROM could detect them using one of his cool tools). Naturally this didn't sit well with most heroes, though eventually they found out the truth when the DWs became more obvious in their invasion attempts.

An entire storyline was developed that allowed ROM to have a true origin. He was a normal man who became a Space Knight to save his beloved planet Galador. He began chasing the DWs across the galaxy and ended up on Earth trying to wipe them out completely. He was never a regular part of any super-team, but he interacted with a ton of major and minor heroes and villains along the way. He even fought Galactus at one point!

When the time came to end the series, fans were treated to a rarity among comics: a satisfying ending. Marvel didn't own the license to the toy so the hero was perishable at best. They finally allowed ROM to return to being a human back at his planet with his loving wife at his side. Happily ever after? Nope.

The recent miniseries Annihilators allowed us to see what happened over time to everyone but ROM (they couldn't even mention his name because of the licensing issues, just alluded to his death sometime in the past). The Dire Wraiths infiltrated Galador again, and ROM was dead. No chance now of ever seeing him back in his armor again.

The Micronauts

Yes, I know many of these guys have come back in different titles, but the original team was one of my favorite must-read comics of the time. I had the figures (most of them anyway...I was never able to buy an Acroyear figure and actually still want one today) and the adventures these guys faced were above the standard Marvel fare at the time. They gave each member of the team a true backstory and the chance to examine it in detail.

The series ran for 59 issues, ending a few years after the toys themselves were no longer available. That attests to the popularity of the title at the time. They introduced another Marvel regular in issue #8: Captain Universe. The team even made it from the Microverse to our universe to face the Fantastic Four, SHIELD, and even had a helping hand from Ant-Man. The tiny heroes always managed to create this larger-than-life world of adventure and fun for this little (at the time) reader.

Unfortunately Marvel only owned the rights to certain aspects of the title, so Commander Rann (not Space Glider), Marionette, and Bug are the only members of the team we'll ever see again in comics (and do see on a fairly regular basis lately). Acroyear, Biotron, and Microtron, along with Time Traveler, Force Commander, and Baron Karza are gone from us forever.

JJ Abrams was rumored to be helming a Micronauts movie back in 2009, but that has apparently fallen through. And Marvel's recent reintroduction of Rann and Marionette in the Enigma Force miniseries wasn't the update we'd hoped for either. Rann and Mari had marriage problems and were at odds with each other after a messy breakup. Here's hoping they find a happy future someday. 

Dial H for Hero

During the 80's there was a very simple storyline of two teenagers, Chris King and Vicky Grant, who became "The heroes created by you!" Every month I grabbed the latest issue of this short-lived series that eventually found its way into the last few pages of Superboy comics as a backup story. These were heroes that were created by kids just like me!

The premise was that you could send in your drawing and brief description of the hero and hope it ended up being printed. While I had a ton of cool hero ideas in my head at the time, I was a horrible artist and could never get anything on paper like I saw it in my head. As a result, the world is forever robbed of DreamStalker in comic form somewhere.

The "Dial H for Hero" concept actually came out two decades earlier when a kid named Robby Reed found the dial and became 3 heroes throughout the course of each issue of House of Mystery from issues 156-173. This collection was actually brought out in a "Showcase Presents" collection last year. But it's the 80's version of the title I miss.

Where else could you hope to actually see your own hero or villain in print? And for a group of amateurs, people came out with some pretty cool creations. My personal favorite villain was called Wildebeest, sort of a Kraven/Deathstroke combo that was very effective.

The only downside was Carmine Infantino's artwork. I know there are people who put him as one of the greatest comic artists of all time, but I have never understood that. Put his work next to Neal Adams or Jim Aparo from the same time period and there is absolutely no comparison.

Unfortunately, we were robbed of a happy ending to this little tale. By the time the series moved to Superboy, the heroes were created mostly by some comic writer rather than a kid. Finally, Robby Reed showed up and the kids both were supposed to be big heroes forever. Years later we found out in a Teen Titans storyline that Chris was a hero but Vicky had become evil due to some cult. In the end, both characters basically disappeared, while Robby Reed continues to show up from time to time.

In today's litigious society a series like that could never fly. If one of the heroes became popular, their creator would get greedy and want to sue for more money. It would be more trouble than it was worth. Still, it was unique for the time it came out and was the dream of many budding comic book writer-wannabes to see something like that in print.

And on my own personal happy ending, thanks to the very fun MMORPG City of Heroes, I've been able to create my own heroes decades later just like I saw them in my head (I'm still a horrible artist though). DreamStalker lives!